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Faux Finishes and Murals

Peacock, Ladybug, PearsGrowing up in France I was exposed to the work of artists, known or unknown, who had chosen walls to express their ideas. Lascaux and the prehistorical caves of south western France seemed magical to me. The Roman frescoes, the Sixtine Chapel, the painted walls of Italian villas and of courses the churches, chapels, castles and palaces of Europe were an amazing source of inspiration. Yet much closer, my great aunt’s work in the old family house-she was an artist herself-brought joy into my world.

Walls offer an extra dimension to a painting, not just because of their size, but because of their place in space. A painted subject or a Faux Finished surface takes on a life of its own, as if now fixed, it becomes a family member or a friend bound to live with you. A painting on a movable support, like a canvas for example, can be placed on different walls and can change the character of the room. A painted wall is in its place for a long time. It is a statement in itself.

The techniques, paints and supports are different from the ones used on smaller formats like canvas, paper, board. Murals, Trompe l’Oeil and Faux Finished walls require a different way of thinking and approaching colors. You have to take into account the movement of light throughout the day, the feel of the surrounding space. It is a challenging and fascinating process. When I have “carte blanche” I let the walls dictate.

Painted walls are the silent accomplices in your intimate world. In public places they reach out to you and bring you into a space that is not neutral anymore but is instead a place of feelings. Enjoy them!

What I See When I Paint Bison

bison at night

I painted the series of Bison or Buffalo because they fascinate me and I love watching them. I spent time in Yellowstone and Grand Teton National Parks during the four seasons of the year and studied their behavior. I took pictures that I would later use as reference for their anatomy and movements while painting in my studio.

I started working on the series after the harsh winter of 1996 when so many of the Buffalo were killed looking for forage outside Yellowstone National Park. I wanted to somehow help by celebrating their beauty. I chose mixed media to portrait the beautiful Bison because the texture of exotic papers combined with the opacity of gouache–a type of water medium–gave the animal’s complex body a bigger dimension. It accentuated the unique combination of wildness, power and grace. The Buffalo is on the Wyoming flag. It is the state animal, symbol of the West.